i think the instrumental songs without words are probably the most suitable and versatile, as they are sounds in their purest form, without the need for words to explain extra meanings.
i also agree that 7:8 time signature is probably an important element and a huge part of our music's uniqueness. I have an absolutely huge collection of ora on my home computer that I got off my tambura teacher, so i'll sift through them and come back.
Basically i'm imagining a few scenarios where such a song would be used:
1. 3rd party tourism shows, where they need a "classic" macedonian song and they automatically think of this song.
2. A morning show where they're going to a commercial break and announcing that when they come back, someone will be making Macedonian food, with this song as on top of that audio.
3. An ad on radio for a Macedonian restaurant that just opened up on your local restaurant strip
4. A parody where they make fun of different european nations, and for Macedonia they automatically think of this song because it triggers Macedonia in viewer's minds.
i also agree that 7:8 time signature is probably an important element and a huge part of our music's uniqueness. I have an absolutely huge collection of ora on my home computer that I got off my tambura teacher, so i'll sift through them and come back.
Basically i'm imagining a few scenarios where such a song would be used:
1. 3rd party tourism shows, where they need a "classic" macedonian song and they automatically think of this song.
2. A morning show where they're going to a commercial break and announcing that when they come back, someone will be making Macedonian food, with this song as on top of that audio.
3. An ad on radio for a Macedonian restaurant that just opened up on your local restaurant strip
4. A parody where they make fun of different european nations, and for Macedonia they automatically think of this song because it triggers Macedonia in viewer's minds.
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