Originally posted by Soldier of Macedon
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THE KOMAN CULTURE – A TESTIMONY OF THE ILLYRIAN ARBER CONTINUITY
Features of the Koman (Arber) Culture. Archaeological research was given a priority and was considered as one of the primary possibilities to throw light on the early Albanian Middle Ages due to the lack of written sources about that period. In the course of the last 40 years of the XX Century, a rich and variegated archaeological material was discovered thanks to the systematic research and excavations in the cemeteries of the early medieval cities and towns. It helped clarify the most important issues of the early middle Ages and the Koman culture became a reference point for many problems. It became the cornerstone of the thesis backing the autochthony of the Albanians.
The scholars were faced with the problems of determining the components of the material Koman culture, the dating of the cemetery and the ethnic line of the bearers of the Koman culture.
The highlighting of these two fundamental problem of the Koman culture was carried out thanks to the year-long systematic research and studies by Albanian archaeologists in the cemetery of the medieval castle of Kruja, the Dalmaca castle, the Bukli cemetery (Mirdita region), Shurdhah (Shkodra region), Lezhe, Prosek (in the Mirdita region) and a checking excavation in the Koman graveyard. The degree of knowledge about the early Albanian medieval culture became expanded thanks to the discoveries in some tomb burial grounds of south and southeastern Albania in Dukat (Vlore region), Prodan and Rehove (Kolonje region), in Rapcke and Piskove (Permeti region) and in Patos (the Fier region).
A new direction and a new broader focus in the study of the culture of the late antiquity and early Middle Ages began with the research in some townships and castles as well as numerous cult monuments belonging to these periods in the castle of Pogradec, Shurdhah, Berat, Kanina, in Gradishta of Symiza (Korce region), in the city of Onhezmi (Sarande), in the castle of Shkoder, in the cities of Durres and Vlore.
The 40-year-old archaeological research has identified the Koman culture in 28 big and small cemeteries and numerous chance findings. Their geographical extension is very wide, ranging from Shkoder Lake in the north, the valley in the middle of the two Drin Rivers and reaches south as far as Durres. To the southeast, it lay around Lake Ohrid. The cumulative discoveries made in the early medieval cemeteries of Kolonja, Permet, Dukat, Patos create an entirety, a very complete picture of the cultural development of the territory of our country during the early middle Ages.
The full and total familiarity with the archaeological material discovered in the Arber graves has led the Albanian scholars to the conclusion that the material and spiritual culture discovered in these graves creates wholeness and as a result it is connected to only one local population.
The Koman Culture Carriers. Since 100 years ago when the Koman culture was discovered, numerous scholars have been dealing with its historical and ethnic interpretation and have expressed the most diverse opinions. One of the key issues dividing the scholars who have expressed very diverse views revolves around the carriers of the Koman culture. Different scholars have considered as carriers of the Koman culture the Pelasgis, the Suevians, the Romanised Illyrians, the Avars and the Slavs.
The archaeological discoveries and the studies on Albanian medieval culture helped create an entirely new and complete situation to help understand the geographical expansion of the Arber culture, the definition of the cultural features, its dating, the historical context of its birth and development and as a consequence the identification of the origin of such culture. The carriers of the Koman culture were an ethnos, an autochthonous local population derived from the Illyrians, which features in the later writings with the names of Albans, Arbanite, and Arber. This name is identical to the name Albans that Ptolemy mentions when speaking about the population living in the interior of Durres. The local population, the successor to the Illyrians, in the early middle Ages, gradually became ever more important, giving its name to the region and later on to the whole country.
We should consider the process of the birth and formation of the Arber culture and its carriers as an historical development that several basic components contributed to. Interacting with and upon each other, these components helped create a culture with a new physiognomy and features under the circumstances of the passage from Late Antiquity to the Early Middle Ages. The new culture earned a new name for itself – the Arber culture.
The components that took part in the creation of the Arber culture were:
- The autochthonous Illyrian component, or the Illyrian legacy
- The component of the provincial Roman culture and late antiquity
- The component of the early Byzantine culture
The Illyrian Legacy It is necessary to watch the typological evolution of the objects of Illyrian origin and the changes they have gone through from time to time. Among them, one of the most characteristic objects that has attracted the attention of the scholars is the fibula with bent-over legs. The wire bracelets with a round cut that are closed by two spiral-like buds, the small circles formed of twisted wire speak of the continuity of tradition in the preparation of decoration objects. The origin of the latter objects should be sought in the circles found in the graves of the first centuries of our era.
One of the elements of the Illyrian tradition, which needs to be mentioned, is one aspect of the spiritual world, the cult to the dead and the cult of the burial, an area where the indicators of the traditional character are very sensitive.
The elements of the Illyrian culture that came to the Arber culture through the centuries bear testimony to the continuity to the fact that the same population inhabited our territory.
http://mkorkuti.tripod.com/id10.html
Features of the Koman (Arber) Culture. Archaeological research was given a priority and was considered as one of the primary possibilities to throw light on the early Albanian Middle Ages due to the lack of written sources about that period. In the course of the last 40 years of the XX Century, a rich and variegated archaeological material was discovered thanks to the systematic research and excavations in the cemeteries of the early medieval cities and towns. It helped clarify the most important issues of the early middle Ages and the Koman culture became a reference point for many problems. It became the cornerstone of the thesis backing the autochthony of the Albanians.
The scholars were faced with the problems of determining the components of the material Koman culture, the dating of the cemetery and the ethnic line of the bearers of the Koman culture.
The highlighting of these two fundamental problem of the Koman culture was carried out thanks to the year-long systematic research and studies by Albanian archaeologists in the cemetery of the medieval castle of Kruja, the Dalmaca castle, the Bukli cemetery (Mirdita region), Shurdhah (Shkodra region), Lezhe, Prosek (in the Mirdita region) and a checking excavation in the Koman graveyard. The degree of knowledge about the early Albanian medieval culture became expanded thanks to the discoveries in some tomb burial grounds of south and southeastern Albania in Dukat (Vlore region), Prodan and Rehove (Kolonje region), in Rapcke and Piskove (Permeti region) and in Patos (the Fier region).
A new direction and a new broader focus in the study of the culture of the late antiquity and early Middle Ages began with the research in some townships and castles as well as numerous cult monuments belonging to these periods in the castle of Pogradec, Shurdhah, Berat, Kanina, in Gradishta of Symiza (Korce region), in the city of Onhezmi (Sarande), in the castle of Shkoder, in the cities of Durres and Vlore.
The 40-year-old archaeological research has identified the Koman culture in 28 big and small cemeteries and numerous chance findings. Their geographical extension is very wide, ranging from Shkoder Lake in the north, the valley in the middle of the two Drin Rivers and reaches south as far as Durres. To the southeast, it lay around Lake Ohrid. The cumulative discoveries made in the early medieval cemeteries of Kolonja, Permet, Dukat, Patos create an entirety, a very complete picture of the cultural development of the territory of our country during the early middle Ages.
The full and total familiarity with the archaeological material discovered in the Arber graves has led the Albanian scholars to the conclusion that the material and spiritual culture discovered in these graves creates wholeness and as a result it is connected to only one local population.
The Koman Culture Carriers. Since 100 years ago when the Koman culture was discovered, numerous scholars have been dealing with its historical and ethnic interpretation and have expressed the most diverse opinions. One of the key issues dividing the scholars who have expressed very diverse views revolves around the carriers of the Koman culture. Different scholars have considered as carriers of the Koman culture the Pelasgis, the Suevians, the Romanised Illyrians, the Avars and the Slavs.
The archaeological discoveries and the studies on Albanian medieval culture helped create an entirely new and complete situation to help understand the geographical expansion of the Arber culture, the definition of the cultural features, its dating, the historical context of its birth and development and as a consequence the identification of the origin of such culture. The carriers of the Koman culture were an ethnos, an autochthonous local population derived from the Illyrians, which features in the later writings with the names of Albans, Arbanite, and Arber. This name is identical to the name Albans that Ptolemy mentions when speaking about the population living in the interior of Durres. The local population, the successor to the Illyrians, in the early middle Ages, gradually became ever more important, giving its name to the region and later on to the whole country.
We should consider the process of the birth and formation of the Arber culture and its carriers as an historical development that several basic components contributed to. Interacting with and upon each other, these components helped create a culture with a new physiognomy and features under the circumstances of the passage from Late Antiquity to the Early Middle Ages. The new culture earned a new name for itself – the Arber culture.
The components that took part in the creation of the Arber culture were:
- The autochthonous Illyrian component, or the Illyrian legacy
- The component of the provincial Roman culture and late antiquity
- The component of the early Byzantine culture
The Illyrian Legacy It is necessary to watch the typological evolution of the objects of Illyrian origin and the changes they have gone through from time to time. Among them, one of the most characteristic objects that has attracted the attention of the scholars is the fibula with bent-over legs. The wire bracelets with a round cut that are closed by two spiral-like buds, the small circles formed of twisted wire speak of the continuity of tradition in the preparation of decoration objects. The origin of the latter objects should be sought in the circles found in the graves of the first centuries of our era.
One of the elements of the Illyrian tradition, which needs to be mentioned, is one aspect of the spiritual world, the cult to the dead and the cult of the burial, an area where the indicators of the traditional character are very sensitive.
The elements of the Illyrian culture that came to the Arber culture through the centuries bear testimony to the continuity to the fact that the same population inhabited our territory.
http://mkorkuti.tripod.com/id10.html
Originally posted by SoM
Are you suggesting that the majority of today's Albanian culture is Illyrian?
Are you suggesting that the majority of today's Albanian culture is Illyrian?
Originally posted by SoM
If so, what is it, and how does it differ from the culture of Macedonians, Montenegrins and Serbs?
If so, what is it, and how does it differ from the culture of Macedonians, Montenegrins and Serbs?
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