
British Library :
Miniature Representing The Power Of Rome, In 'The Abingdon Apocalypse'
This Apocalypse manuscript contains the Latin text of the biblical book of Revelation, written on versos, with a commentary in French on the facing rectos, each with a miniature. The manuscript takes its name from two added inscriptions: one states that it was given to the Benedictine abbey of St. Mary, Abingdon, by a bishop of Salisbury; the other records that it was lent by the abbot and convent of Abingdon in 1362 to Joan, wife of King David II of Scotland.
The image contains four compositions, each with a king and a bishop: three are in circles (representing cities) to the left , and one larger one is to the right. They represent the kingdoms of Assyria, Persia, Macedonia and Rome; the power of the first three has passed to the fourth.
In the book The Apocalypse and the shape of things to come By Frances Carey, British Museum on the 79th page the same picture and on the next page the explanation:
In the two images displayed, the angels holding the four winds at the four corners of the earth are compared with the unity of the holy Church and the four ancient kingdoms of Assyria, Persia, MACEDONIA and Rome. Each kingdom is visualized as a walled city with a bishop, signifying spiritual authority, at an altar and a king seated in his palace exercising temporal power. Rome takes pride of place on the right (the pope as bishop of Rome is signified by his triangular mitre). By the four angels the commentary directs the reader to understand that Rome alone could appropriate the power of the four kingdoms.
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